<
PHYLLIS LEVERICH EVANS
 
 
 
 
NEW WORK
ESSAYS ON WOMEN AND SURREALISM
AN ARTIST'S REACTION TO FRIDA KAHLO
THE SUBJECTIVE HAND
INSTRUMENTS OF CHASTITY
SURVIVAL OF THE FITTEST
EARLIER WORK
PHOTOGRAPHY
HOME
 
© 2005 Phyllis L. Evans

2005

MEXICO SERIES

 

These paintings are montages of the drawings and photos I made in Mexico. I initially tried to make each composition true to a specific location, i.e. by combining only drawings made at a certain location with photos taken from the same place. Some of the drawings that inspired this series are on my sketchbook page which can be seen by clicking here. From a design standpoint, this approach proved too limiting. I felt that I needed to combine the flowing forms, patterns, and colors in a way that would work best formally. Therefore I decided to treat all my Mexico experiences as a single source of montage material. This decision remains more true to the way I have processed this information in my mind. In truth, I cannot remember minute details, such as exactly where I was when I made each sketch, shot each photo, and had each experience. My recollection of my time in Mexico is like a montage: a series of vaguely related impressions, memories, sights, smells, tastes, and sounds.

 

dsc02   dsc05   dsc08
Jesuit Church   Oaxaca   Ex-Hacienda
         
dsc12   dsc017   dsc247
Truco 7   Dolores Hidalgo   San Cayetano

 

 

 

 

 

a